“Not now.
Right now I need to stay collected.
I’m responsible for every one of them.”
“As you wish.”
He wanted to clown around.
“Not now, friend.”
I open the fridge.
Cold light.
Silence.
Seems like no one’s there.
I can breathe a little.
I pull my robe open —
habitually,
at home.
I take off my bra — God, if it were just Nate, I’d take off my panties too.
I hate when clothes suffocate me.
“Hungry?”
“AH!”
I flinch with my whole body.
“Damn it!”
“Sorry,” she says quickly.
“I didn’t mean to scare you.”
My heart is pounding.
I put my palm on the table.
“It’s okay,” I exhale.
“Thank you again.
Really.
I can’t believe we could have been left outside.”
She smiles.
Calm.
No extra words.
A couple of phrases —
about the house,
the night,
the quiet.
She goes to bed.
And I stay in the kitchen
for another minute.
Light.
Cold.
Silence.
Why the hell isn’t she sleeping?
Easy, Nazokat.
Everything’s fine.
She’s just an older woman.
Just age.
I squint.
Let’s assume so.
But now I definitely won’t sleep.
I’ll stand watch until morning.
Then I’ll sleep in the car.
And only now
do I allow myself
to exhale.
I look out the window and pour the water into the sink.
I roll my neck.
Come on, Nazokat.
Everything is lined up.
Everything’s fine.
Everything’s under control.
Everyone you love is safe.
I’ll walk through the house once more.
Just in case the guys missed something.
“Mouse.”
Oh God, I flinch again.
“Nate, love… are you awake?”
“No, kitten. I woke up — you weren’t there.”
I smile apologetically.
Another jab:
“You cause a ton of trouble.
You might as well set up police around the perimeter.
Normal people are sleeping.”
I get angry.
Go to hell — I’d rather overdo it than—
I shudder.
“Kitten, everything’s fine.”
“Yeah,” I nod, still tense.
“The guys are on watch.
The house is swept.
Everything’s fine, baby.”
I relax.
He’s right.
I’ve accounted for everything I could.
And if I missed something — I’ll be the one to blame myself.
Come on, Nazokat.
Breathe.
And breathe again.
It’s almost 3 a.m.
Another three or three and a half hours and everyone will wake up.
Then I can ease up a little.
“Nate.”
I look at him.
Then again.
Oh God.
He’s already coiled, ready to move.
“Hi,” he says with that sly smile.
I smile back.
He presses closer and closer.
“No, no, no.
Nate, I can’t.
This isn’t our house and— and— Nate, I—”
He steps so close I don’t know what excuse to invent.
He reaches past me to grab something —
so close,
but doesn’t touch.
Oh God. Oh God.
“Sweetheart, how do you like the house?”
I tuck my hair behind my ears, then let it fall again.
God.
Is he really going to talk now?
“Uh… uh… the house, well… it—”
And then, as if by accident, his robe fell open.
I swallowed.
Damn it, this Nate can drown out any outside sounds, smells — everything — except the thought of sex with him.
Bare torso and— oh God, I can’t talk to him right now.
“Yes, sweetheart. The house.”
“Uh… well… th-the house, it, uh…”
I tried to pull myself together.
And he reached again — to grab something — again over me, and my chest barely brushed his shoulder.
God, maniac. I know exactly what he’s doing. I know.
That bastard — with his discipline, with his self-control.
“The house, sweetheart, the house,”
he was already smiling slightly.
I tried not to stare at his torso
and not to lick my lips so obviously.
“The house, it’s very… I mean…”
God, I don’t care about this house any more than he does — damn him.
Come on, Nazokat, pull yourself together.
“Go to hell!”
He laughed and caught my hand.
Then he gathered himself — like a predator before the leap.
Serious Nate is a special version of Nate.
It’s about seven out of ten on the predator scale — the point where his darkness no longer hides.
He’s ruthless.
And he’s dominant.
I swallowed.
He growled into my ear and wrenched my arms behind my back — I almost fell, and he caught me instantly.
“Nate, I’m begging you, please…”
His eyes gleamed.
He was in his darkest part — ten out of ten.
I’m not afraid of him.
I’m not afraid.
Come on, sweetheart, you can handle him.
He rolled his neck and with a sharp motion threw me onto the table.
A moan tore out of me against my will — but by his command.
“Sweetheart, if I cross a line, just tell me, okay?”
I nodded, my mouth dry.
Oh God.
This isn’t Nate anymore — this is his darkness.
I’m not afraid.
I’m not afraid.
He bit my neck and I screamed —
and almost died from pleasure.
He smiled that cruel, insolent smile of his.
Oh God, what is he planning.
“Kitten.
My little mouse…”
Oh God, oh God.
“Kitten, you’re so sweet. You know how much I love you.”
“Mhm…” — I no longer knew where his pulse was and where mine was.
The wall. He’s holding me so tightly.
His muscles are bunched, tense.
God, how strong he is — how can he hold me practically in midair?
“Sweetheart…”
He growled and squeezed my ribs so hard that I screamed again.
“Kitten?”
But I was begging him not to stop.
“What a bad girl you are… kitten. Such a little temptress.”
I swallowed.
“I’m not like that.”
“You’re lying too, miss.”
“Well then, sweetheart, you’ll have to take responsibility for that…”
…
A long hood.
A short rear.
Classic layout, almost perfect 50/50 weight distribution.
A car that doesn’t forgive stupidity, but always gives an honest warning first.
The steering is heavy, communicative. The front axle holds even on ice, because the suspension here isn’t for show — it’s for dialogue with the road.
This is the kind of car where you learn to read grip through your fingers.
Jonathan walks around it like a surgeon before an operation. Checks the tires. Touches the rim — as if greeting it.
Josh’s Mustang
A completely different story.
Wide shoulders. Long wheelbase. Muscles under metal.
This isn’t a car — it’s a statement.
The engine doesn’t “sound.”
It presses.
Even at idle you can feel the torque — the kind that, on ice, can become an enemy.
The Mustang loves asphalt.
Loves speed.
Loves being respected.
On ice, it’s a test of maturity.
Too much throttle — and the rear snaps instantly, without warning.
Josh smiles, but tightens the belt one notch tighter.
Nate’s Subaru
The quietest one.
The most dangerous.
The WRX STI doesn’t show off.
It’s collected.
All-wheel drive. Turbo. Short wheelbase.
A car that creates the illusion of control — and then punishes overconfidence faster than all the others.
On ice, the Subaru holds on until the very last moment, and then breaks loose all at once — no familiar “rear first, nose later.”
You can’t “catch” it.
You can only work it with weight and timing.
Nate gets inside and freezes for a second. Hands settle on the wheel. He doesn’t look around. He listens.
When the visors close, the room seems to lose its sound.
The instructor speaks calmly, without preamble:
“This isn’t drifting.”
“This is control.”
“Anyone who wants to show character — will show it to a snowbank.”
The engines start one by one.
The BMW — even, muted, like a well-tuned instrument.
The Mustang — deeper, lower, vibrating the air.
The Subaru — a short inhale from the turbo, as if the car is clenching itself into a fist.
The first meters are slow.
The ice is gray, mixed with sand — the most treacherous kind.
“BMW, hold it.”
“Lifted off early — good.”
“Don’t brake in the corner.”
The BMW goes in.
The front holds.
The rear steps out softly, predictably.
Jonathan doesn’t jerk. Shifts his weight slightly. The steering works in millimeters.
“That’s it.”
“German school.”
The Mustang goes next.
A little too much throttle — and the rear breaks loose sharper.
“Don’t push!”
“Wheel straight!”
“Look at the exit!”
Josh clenches his jaw. Waits. The Mustang comes back.
“Better.”
“Now you heard it.”
The Subaru goes third.
At first — too calm.
“Don’t trust her,” comes Nate’s short voice over the radio.
“She’s lying.”
And it’s true — on the slick section the car doesn’t slip by the axle. It floats as a whole.
“Wait.”
“Don’t save it.”
“Now…”
A pause. A fraction of a second.
Nate holds it. Doesn’t yank. Doesn’t panic.
“Now.”
A light movement. The Subaru straightens, as if this was the plan all along.
The radio crackles briefly:
“Yes.”
“Exactly.”
Then comes the pendulum. Ice. Sharp weight transfer. Miss by half a second — and you spin.
The BMW goes through clean.
The Mustang — on the second try.
The Subaru — almost perfect.
“He’s not working the wheel,” a quiet voice in the channel says.
“He’s waiting.”
“That’s rare.”
The final part of the training is a simulation of a real road.
No cones.
No prompts.
Packed ice.
A gentle descent.
A blind turn.
The speed is minimal — and still dangerous.
This is where they test the main thing: not reaction, but habit.
The BMW goes clean.
The Mustang — tense, but collected.
The Subaru — calm, as if ice is its native element.
An hour passes unnoticed.
By the end of the session, the engines shut down one by one. Steam rises into the cold air. Hands are hot. Bodies are tuned. Silent, focused — they’re still there, in the turns, in the pauses, in the held slide.
Meanwhile, something else is ending for us.
Paint thickens on paper. Brushes return to jars — slowly, carefully, as if they, too, are ready to rest. Crafts are stacked: crooked houses, forests, cars with impossibly large wheels.
The room smells of paper, paint, and tea. Quiet. Calm. As if winter really can make people kinder.
The kids gradually tire. Someone rubs their eyes with a fist. Someone yawns, still clutching a pencil. We dress them — scarves, mittens, hats — wrapping them like little bundles of warmth that must not be released into the cold unprotected.
We gather our things, speak in half-voices, take the children by the hand and go outside — just to see how it went.
And it becomes clear almost immediately: it went well.
The guys are already relaxed, adrenaline still coursing through their blood, and they’re itching to show off. To demonstrate. To repeat.
I swallow.
Three beasts on the road — and three predators behind the wheel.
Nate isn’t just hot.
He’s explosive.
And his car is his second skin.
An extension of his body.
A little to the left — Jonathan.
The BMW, dark, heavy, calm predatory focus without fuss.
He keeps his distance, as if everything is already calculated and he’s simply waiting for the moment.
A bit farther — Josh.
The Mustang.
Nervous. Loud.
With an impatient growl,
as if it’s barely holding itself together.
like a young beast
that can’t stand still.
I swallow once more
and get into the car.
The door closes.
The space tightens.
Nate’s hands on the wheel —
steady, calm,
as if he’s not about to do
anything dangerous.
The music comes on immediately.
Slow Down — emdivity.
“Sorry, love…
that’s what the guys and I were listening to.”
I smile.
“So you’re shameless.
Meaning you boys
have your own track?”
He laughs —
and yes —
he gets a little embarrassed.
I tap his shoulder with my gloves.
“So we girls
are too delicate for you?
And this is strictly
boys’ territory?”
He leans in
and kisses me
so softly,
so carefully,
that my breath
catches.
I blush.
God.
He’s so sweet.
So sweet, this Nate,
when he’s not trying
to be dangerous.
I pick up the radio.
“So what does Jonathan listen to?”
Nate bursts out laughing.
“Probably a waltz.
Or some kind of classical music.”
We turn it on.
And from there —
clean, confident rap,
no compromises.
I freeze.
Then I laugh.
“And the Aristocrat?”
Nate doesn’t even answer.
We exchange a look.
“That’s always a separate story.”
I step out of the car.
Slowly.
Deliberately.
My heels click against the ice,
counting down the numbers to the start.
I pull out
a red bra.
Nate swallows.
I wink at him
and raise my hand
like a starting flag.
“On your marks…”
“Get set…”
“GO.”
The Subaru breaks first.
Not with a jerk —
but with a dense, predatory shove.
All-wheel drive bites into the ice,
and immediately —
a sharp weight transfer.
Nate doesn’t turn the wheel —
he breaks the trajectory with his body.
A short movement.
And the car slips sideways
in a long, clean angle,
as if the ice itself allowed it.
The tires scream,
but not hysterically —
even,
low.
The studs strike sparks from the frozen surface,
and behind the Subaru stretches
a dense cloud
of white smoke —
not from rubber,
from snow,
ripped into dust.
Jonathan’s BMW comes in next.
Completely different.
Not aggression —
precision.
The rear-wheel drive releases smoothly,
almost politely.
The rear steps out,
but the front stays glued in place.
He holds the angle
like a blueprint —
clean, calculated,
not a millimeter wasted.
The BMW slides
like a speed skater over a mirror of ice:
quiet,
beautiful,
without strain.
The Mustang closes the line.
And this is already a performance.
The power comes from the back,
the long wheelbase pulls,
the rear breaks wider,
rougher.
It roars.
Not shouting —
growling.
The smoke rises thicker,
the wheels carve the ice
in long arcs,
and the car goes sideways
so brazenly
that you want to scream
even before—
That’s how I understand it:
he holds it.
Three cars.
Three characters.
One sheet of ice.
The Subaru cuts the trajectory,
the BMW draws it,
the Mustang tears it apart —
all in the same space,
in the same breath.
The speed builds.
Turn after turn.
They’re not racing —
they’re dancing.
Smoke swirls over the track,
settles on eyelashes,
on jackets,
on laughter.
I stand there,
fingers clenched,
my heart in my throat,
and I squeal —
loudly,
girlishly,
absolutely happy.
When they stop,
the smoke is still hanging in the air,
and the ice is covered in black arcs,
like after a ritual.
Nate steps out of the Subaru.
Pulls off his glove with his teeth.
Looks at me.
His smile —
a little predatory.
A little boyish.
Oh, this Nate.
Time for a bite to eat
and a walk around town.
Ogunquit is small.
Compact.
Cozy.
The kind of place where everything is close
and no one is in a hurry.
We walk down the street with coffee,
someone with a bun,
someone with a paper bag,
chatting all at once —
about nonsense,
about the weather,
about who’s going to eat what next.
And here — there’s only one
jewelry store.
And I… damn.
I’m dying to go in there.
And so we do.
The jewelry store is small, neat.
Clean display cases.
Quiet.
The chime of the bell on the door —
almost intimate.
The shopkeeper looks up,
smiles politely,
without pushing.
As if he’s been here a long time
and knows how to wait.
The jewelry is laid out in little boxes,
everything neat,
proper,
with taste.
I lean toward the glass,
looking.
The girls do too.
We breathe onto the display,
leaving a light fog on the glass,
commenting —
“cute,”
“not bad,”
“this one’s pretty.”
But inside —
silence.
Nice.
Good.
Not mine.
Not it.
I straighten up,
slightly disappointed,
already mentally ticking the box:
“okay, we just stopped by.”
“Thank you very much,”
I say to the shopkeeper.
He nods.
We turn toward the door.
And we almost leave.
And then —
some awkward sound behind us.
Like something was bumped.
Metal against glass.
The shopkeeper fusses:
drops something,
picks it up,
pulls something out from under the counter,
shifts things around.
I’m already half a step past the threshold,
but for some reason
I turn around.
Automatically.
“Wait…”
my voice wavers.
“What is that?”
He looks up,
clearly not expecting this.
“Oh, that?
These earrings were brought in by a woman…
well, about a week ago.
Somehow…
I couldn’t bring myself to put them out.
I don’t know why.
And today I just decided to.”
I take a step back.
Then another.
Under my heels,
the floor seems to ripple slightly.
“Oh my God…”
I whisper.
And that’s it.
The world starts to sway.
For a split second, I lose my balance.
Nate catches me immediately —
instantly, firmly, confidently —
his hands on my waist, on my shoulders,
his body — my support.
“Careful, love. I’m here,”
he says quietly, hoarsely.
I look at the earrings.
Pink stones,
surrounded by stunning diamonds.
But it’s not about the beauty.
It’s them.
The earrings from that image
I saw four days before
Nate first walked into my life.
Back then it was just an image.
A tremor.
Intuition.
A click.
I was alone then:
Roman in my arms,
my ex nearby — empty, cold,
and me — shaking with fear.
Terrified beyond reason.
Afraid I wouldn’t cope.
Afraid that He didn’t exist.
Afraid that I was completely alone.
And four days later there was a single “hello” —
one that changed
not just my life —
but hundreds of lives around me.
My breath hitched.
My eyes filled with tears on their own.
“Nate…”
I breathed out,
not recognizing my own voice.
He already understood everything.
He looked at the earrings,
then at me.
His gaze — deep, quiet,
incredibly tender.
“Please wrap them up,”
he said to the shopkeeper,
without even asking the price.
The girls sensed the moment and discreetly stepped outside.
All of them — except the Aristocrat.
Cody literally dragged him away by the collar,
because he put on a performance,
sobbing and whispering:
“How beautiful love is… oh gods…”
Then he dropped his hat.
Then himself.
Then nearly the display case.
And I stood there as if in a fog.
Nate took my hands — gently, but so firmly,
as if afraid I might dissolve.
And I suddenly, quietly,
purely, for real — began to cry.
“Nate… what if you hadn’t written to me back then?”
My voice broke.
“What if… there had been no ‘hello’?”
In his arms,
memory opened its doors —
trustingly,
without defenses.
And I remembered
how it all happened.
The hello — short.
Dry.
Seemingly logical,
but without warmth.
Then he disappeared.
For a week.
I didn’t understand anything.
At all.
And then he came back.
Exactly on Sunday.
Just like back then,
when he wrote for the first time.
And after that
chaos began.
Schedules poured in.
Applications.
Schemes.
Numbers.
My head was spinning.
For a week.
Then another two.
He sent documents
in bursts,
chaotically,
as if he couldn’t stop.
And at some point
I realized
what he was doing.
He was showing me
how he was going to
build Earth Angels.
Not “advise.”
Not “discuss.”
Build.
And I thought:
maybe
I misunderstood him?
Maybe
he was just offering help?
But…
why would he?
God.
That English.
Those damn charts.
Numbers.
Formulas.
I was angry.
Truly angry.
I don’t understand his motives.
I don’t understand his benefit.
And I wrote to him directly:
“What are you doing?”
“Why do you need this?”
There was no answer.
But instead,
meetings appeared.
Calls.
Breakdowns.
Where he
trained me:
what to say,
where to pause,
how to hold the emphasis.
I watched him closely.
Damn.
He was clearly good at this.
And the question kept hitting the same place:
why does he need me?
Maybe
he wants to take my business?
Damn…
But he doesn’t look like that.
He’s not greedy.
Not predatory in that sense.
Not that type.
My God,
I don’t understand anything.
Nights thrown off.
The time difference tears the rhythm apart.
It’s four in the morning for me.
For him — only evening.
I look at the screen
and see:
he’s composed.
And at the same time — exhausted.
He’s just come home from work.
Tired.
Collected.
And he’s…
dealing with me here?
With me.
Building all of this?
Schemes.
Meetings.
Routes.
God,
why?
Maybe…
he’s in love with me?
But then why
not say it?
Why — like this?
Through documents,
charts,
control?
My God.
I don’t understand
what he’s doing.
I feel stupid.
I feel like
I’m playing
someone else’s game,
with rules
no one explained to me.
He sent me everything.
Everything.
Documents.
Visas.
Numbers.
Tickets.
Everything is already decided.
And I…
I don’t know.
I truly don’t know.
It’s a foreign country.
I’m alone.
With Roman.
And honestly —
I am completely
in his power.
How can I
allow this?
He controls everything:
when and with whom the meetings are,
arrival time,
the hotel.
All the cards
are in his hands.